Cleopatra Lebedeva

The altered cut glyphs feature as the capitals of the font; to sample the cuts and ligatures type in ALL CAPS in the Typetester.

Ardela Edge is opentype in overdrive. Its a stylised geometric sans serif family with extreme cuts, sharp angles and multi-sensory interactive ligatures. Affected characters are spread into three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern type that feels like bespoke typography. 

Ardella Edges three subfamilies appear as - X01, X02, X03

These three styles create thousands of combinations with options from super minimal to the more experimental. This is a hands on designer package, available in 9 weights, with italic and outline faces and as a variable font - each one containing over 550 glyphs.

Full European latin based language support.

Ardela Edge's three family concept means all character alternates are accessible to all, on any software. The cut glyphs feature as the CAPS of the font, whilst the unaffected letters appear as the lowercase.

Many subtle ligatures are accessed by typing in all caps, however to access all ligatures requires software with opentype capabilities, such as Adobe Illustrator, Photoshop, InDesign or Inkscape.

With Royale, Resistenza reinvented the bifurcated Tuscan genre in a contemporary, warm and playful form.

Now our aim was to complete this decorative family with an italic version of the font.

Rounded terminals, fabulous fancy fun spurs with elegant and extravagant flourishing - Royale italic comes in 8 weights which can also be layered to create polychromatic effects in another nod to the Victorian era these styles were popularised.

While inspired by days gone past this Royale is far from a revival as unlike the classic Tuscans which inspired its structure Royale is monoline and sophisticated in its simplicity. Perfect for display and emphasis, Royale will command attention and leave a memorable impression wherever it is used.

Check out also Royale

RMU Bison is my revival of Julius Kirns hot-metal font, which first was released by Weber in 1935. The versatile timeless brush font was extended as to cover the main Western and Central European languages plus Turkish.

The altered cut glyphs feature as the capitals of the font; to sample the cuts and ligatures type in ALL CAPS in the Typetester.

Ardela Edge is opentype in overdrive. Its a stylised geometric sans serif family with extreme cuts, sharp angles and multi-sensory interactive ligatures. Affected characters are spread into three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern type that feels like bespoke typography. 

Ardella Edges three subfamilies appear as - X01, X02, X03

These three styles create thousands of combinations with options from super minimal to the more experimental. This is a hands on designer package, available in 9 weights, with italic and outline faces and as a variable font - each one containing over 550 glyphs.

Full European latin based language support.

Ardela Edge's three family concept means all character alternates are accessible to all, on any software. The cut glyphs feature as the CAPS of the font, whilst the unaffected letters appear as the lowercase.

Many subtle ligatures are accessed by typing in all caps, however to access all ligatures requires software with opentype capabilities, such as Adobe Illustrator, Photoshop, InDesign or Inkscape.

26 Mythical or mysterious Creatures. A highly decorative font where each creature form the letters A to Z.

The upper case letters have detailed creatures/letters while the lower case hold silhouettes of the same creatures.

The creatures were originally drawn 2016 during the 36 days of type project (http://www.36daysoftype.com/)

Road Crew is a handwritten, monoline font that includes two styles, regular and bold, with which you can combine and create unique designs in an instant. Also included in this font are alternatives and touches that you can use to make your design more diverse and attractive. You can also use them to create a logo or use them for small businesses, t-shirts, book covers, stationery, marketing, blogs, magazines, and more.