Protrakt is inspired by city life and sport. It has been designed as a variable font and is best to use as a variable font to get the full enjoyment of using this typeface.
However, if you do not have access to variable technology through your software, there are nine widths in the font family so this will give you just as much access to the creativity this font can provide.
By using the variable sliders in your design software you have a range of weight and width options. Play around with individual letters to give your type a unique look. Included in this family are alternate characters to add even more styling options.
*Unfortunately there is no option to test out the variable capabilities on MyFonts as yet. Please have a look at the poster images to get a great idea of how I have used this font.
By using the variable version you only need to install one font file instead of the entire family, this saves space and time to manually select individual styles.
Showing posts with label expand. Show all posts
Showing posts with label expand. Show all posts
Download Protrakt Variable Font Family From Arkitype
October 24, 2019
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Download Oddlini Font Family From sugargliderz
Inside my head, there are a number of forms of Sans Serif typefaces, and I cannot put aside any single one of them. Even if they were in the way of the reading process, I still think they form splendid letters. For me, when I hear for example "Sans Serif", then immediately Helvetica comes to my mind, even though I don't think that it is the best Sans Serif out there. Of course it is a great typeface, but I believe that one should not be fixated on the association of Sans Serif = Helvetica. It is just that Sans Serif goes hand in hand with Helvetica after all, and I don't think it is exaggerated to say that everyone throughout the world would agree. In my head there is no conflict about this either, and I readily agree with this thinking. However, just because of that I don't necessarily spend time studying Helvetica in detail and analyzing its subtleties in order to progress with a design. I am just clear about the fact that the mental picture of a typeface which I deem important when working on a design is a grotesque typeface like Akzidenz Grotesk. Of course I don't intend to recut it, but to reverse the way of thinking even further, and have often designed with the vague image of, for example, an old unrefined typeface in mind.
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