Cleopatra Lebedeva

The rounded Sans with edges. Olivia Sans got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.

Zuume is a high-impact, condensed, display font family consisting of a normal and alternate Zuume Cut family in multiple weights and italics. Its range in thickness gives a sharp, technical feel in the lighter weights, while the bold, blacker weights are meant to be tightly spaced and stacked for a visual punch. A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more. The included alternate Cut family takes the dynamic nature of this design further by adding sliced out elements to flat, horizontal strokes, giving it more movement, aggression, and a sense of speed. Also part of each weight font file are matching pre-designed catchwords that add texture to your typography. Stylistic alternates and arrow glyphs increase the options available. Zuume has many features: • Alternate Cut family • Catchword glyphs (PUA-encoded) • Stylistic alternates • Arrows • Fractions, numerators, denominators • Superscript, subscript • Slashed zero With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.

Kaunos creates eclectic and moderns structure by combining sansserif, slabserif and calligraphic elements in a single body. Kaunos designed by Mustafa Eren who is well accepted first typeface designer and calligraphy master by Turkey's Leraset catalog. Kaunos may be use for posters, headlines, modern and, experimental designs. It consist of 16 style of 8 weights and, italic versions of that weights. Kaunos includings; - 390+ Glyph - OpenType Features - Stylistic Alternates - Standart Ligatures - Discretionary Ligatures - Contextual Alternates

Quat is a sans serif type family designed by Ani Dimitrova. The family comes in 22 weights, ranging from Hairline to Black with extra drawn italics and small caps versions, and each style contains more than 700 glyphs. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The lightest weights work well in subtle headlines while the heaviest ones are perfect for posters, short texts, web, branding and screen design. All weights contain ligatures, proportional figures, tabular figures, old style figure, numerals and arrows, matching currency symbols and fraction. The range of styles give a good flexibility to this family.

BF Corpa Gothic™ Pro is a kind of “Neue”-Edition of the beloved typeface designed by Guido Schneider. Inspired by hand-drawn geometric fonts from 1920s posters, this sans serif typeface is slightly condensed, and it appears compact and captivates with its expressive shapes and unique details, despite its pronounced Grotesque character. With its rather constructed, technical – but also vivid – appearance, the BF Corpa Gothic™ Pro is not only suitable for headlines and display applications, but is also pleasant to read in short and middle length text. The type family is engineered for exciting, professional but unusual designs. It is equipped with OpenType Features like 4 figure sets (LF, TF, OSF, SC), nice ligatures, many currency symbols, fractions, alternates, special characters, arrows and symbols – and small caps. 9 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. Each of the 16 fonts (Upright and Italic) contains more than 940 glyphs and supports up to 220 Latin-based languages.

Welcome Amica Pro, a workhorse sans designed to give your branding a friendly, approachable look. What is it that makes a typeface friendly? Schizotype undertook extensive research* in this and the results are in! To cut a long story short, friendliness in sans serif fonts can be summed up in two words – short and fat. Basically, think Danny DeVito in letter form. The shortness in Amica Pro is achieved (somewhat counterintuitively) by pushing up the x-height. This, coupled with short ascenders and descenders, gives the text a squat appearance. For the fatness, that's easy in the bolder weights, but how to carry this through to the lights? Here, the fatness equates to roundness, so the letterforms, even if the stroke weight is light, have a rotund appearance from the wideness and roundness of the circular glyphs. When thinking about friendliness, we think about inclusiveness. To this end, Amica Pro supports a super wide range of latin-based languages, as it uses Underware's Latin Plus character set, as well as extra support for Vietnamese. Amica Pro is best used for branding, logos, infographics etc. It will give your UI a friendlier feel, but that doesn't mean it's not serious. There are many useful typographic features, including alternates, numerous figure styles, automatic fractions and case-sensitive forms. The italics are carefully optically corrected "sloped romans" and as such they are the same width as their upright equivalent, so changing your copy to italics will not mess around with the spacing. *I looked at a few fonts and drew some lazy conclusions.

Bw Seido Raw strikes a balance between crude engineered geometry and the demands of legibility and pragmatism a workhorse typeface needs. The result is a highly functional type family with an industrial feel, ready to be used anywhere from screen-based to print. The stylistic set accesible through the OpenType panel presents a more neutral feel by removing the sharp bends on some key characters. It consists of 12 styles (6 uprights + 6 matching obliques) supporting all European Latin languages. It contains many OpenType features like slashed zero, fractions, case sensitive forms, localised forms or ligatures.

Maver is a 7 - style font family designed by Ani Dimitrova. Maver containing Regular, Italic, Round, Round Italic, Modify and Modify Italic weights. All weights contain standard ligatures, proportional figures, tabular figures, old-style figure, numerals, and arrows, matching currency symbols and fraction. The fonts are carefully hinted and its wide proportions make them a perfect choice for screen usage. This style palette offers a flexible range for display typography. The Maver type family is ideally suited for magazines, branding, posters, as well as web and screen design and more. 

From 2019 back to the 90s … The typeface “Czykago Rough” by Alexander Branczyk and Manuel Viergutz is a re-issue of the font “Czykago” published in 1995 by the font label “Face2Face”. Designed as a re-release for the Font Foundry “Typo Graphic Design” in 2019. The rough sans serif display font is inspired by the 80s and 90s. Glyhph-Set: Latin Extended (Adobe Latin 3). 907 glyphs with 3× A–Z & a–z and 350+ decorative extras like icons, arrows, dingbats, emojis, symbols, sign of the zodiac, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (4× stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Czykago Rough ■ Font Weights: Cond + Stretch + Mix + CondBG + Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 907 glyphs with 350+ decorative extras like icons ■ Lan­guage Sup­port: 80+ for Latin Exten­ded (Adobe Latin 3). Afrikaans, Albanisch, Baskisch, Bemba, Bena, Bosnisch, Dänisch, Deutsch, Englisch, Estnisch, Färöisch, Filipino, Finnisch, Französisch, Friulisch, Galizisch, Gusii, Indonesisch, Irisch, Isländisch, Italienisch, Kabuverdianu, Kalenjin, Katalanisch, Kinyarwanda, Kölsch, Kornisch, Kroatisch, Lettisch, Litauisch, Luhya, Luo-Sprache, Luxemburgisch, Machame, Madagassisch, Makhuwa-Meetto, Makonde, Malaiisch, Manx, Morisyen, Niederländisch, Niedersorbisch, Nord-Ndebele, Norwegisch Bokmål, Norwegisch Nynorsk, Nyankole, Obersorbisch, Oromo, Pare, Polnisch, Portugiesisch, Rätoromanisch, Rombo, Rukiga, Rumänisch, Rundi, Rwa, Samburu, Sango, Sangu, Schottisches Gälisch, Schwedisch, Schweizerdeutsch, Sena, Shambala, Shona, Slowakisch, Slowenisch, Soga, Somali, Spanisch, Suaheli, Taita, Teso, Tschechisch, Türkisch, Turkmenisch, Ungarisch, Vunjo, Zulu ■ Spe­cials: Alter­na­tive let­ters, sty­listic sets, automatic con­text­ual alter­nates via Open­Type Fea­ture (3× different versions of A–Z & 0–9 + a–z), Euro, kerning pairs, stan­dard & deco­ra­tive liga­tures, Ver­sal Eszett (German Capital Sharp S), 350+ extras like Dingbats & Symbols, arrows, hearts, emojis/smileys, stars, further numbers, lines & geometric shapes ■ Design Date: 1995–2019 ■ Type Desi­gner: Alexander Branczyk and Manuel Viergutz

Vocal is a sans serif type family designed by Ani Dimitrova. The family has 28 weights, ranging from Hairline to Heavy with matching Italics and Small Caps. In addition, you get a nice alternate version of the Heavy weight with extra thin accents. Which is a pure joy for setting titles. Vocal comes with extended coverage of the Latin, Greek and Cyrillic Script. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The stems are a little tapered to the middle and the corners are cutted, which makes them a little rounded in small sizes. That gives the font an organic, warm and friendly touch. Vocal is equipped for complex, professional typography with Open Type Features including — small caps, localized forms, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions. The fonts are carefully hinted and its wide proportions make them a perfect choice for screen usage. Vocal suits also ideal for book and editorial design.

Do you need a custom version of TT Hoves? Useful links: TT Hoves PDF Type Specimen TT Hoves graphic presentation at Behance TT Hoves completes the TypeType font trilogy dedicated to modern sans serif. The first was TT Norms—the universal geometric sans for the widest possible range of tasks. The second was the neutral sans TT Commons, which was originally designed as a corporate typeface for TypeType studios. Unlike the first two typefaces included in the trilogy, TT Hoves has a distinct character, but without too bright bursts or kinks—it’s not too neutral and is moderately bright. We wanted to create a sans serif with recognizable patterns and geometry that would be perfectly suited for solving visual problems in such areas as architecture, design, industry, science, astronomy, drawing, high tech, research, space, statistics. The typeface name TT Hoves comes from an abbreviated combination of two words: horizontals + verticals (ho + ve), which is intended to emphasize the fact that vertical and horizontal strokes predominate in the design of the typeface. Other distinctive features of the TT Hoves design are sharp turns in letters like f t J r j and the shape of the internal junctions of diagonal 2-point strokes (A W M N V X), which is intended to add a square and technologically advanced touch to the picture. The stroke thickness tends to a single width for the entire range of styles, with natural compensations in the boldest styles. The TT Hoves font family consists of 20 fonts: 10 weights (from Hairline to Black) and 10 corresponding italics. Each of the styles includes 1348 glyphs. TT Hoves covers almost all languages using the Latin alphabet, as well as most languages using Cyrillic. In addition, in TT Hoves you can find a small capitals for Latin and Cyrillic and a large number of ligatures and stylistic alternates. In order to make it more convenient for you to use stylistic alternates, we have divided them into separate stylistic sets, one letter per set. We also did not forget about the mathematical and navigation signs, drew currency signs and added all types of numbers. A complete list of useful OpenType features that you can find in TT Hoves: zero, frac, ordn, case, c2sc, smcp, ccmp, locl, sinf, sups, numr, dnom, tnum, onum, lnum, pnum, dlig, liga, calt, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, ss13, ss14, ss15, ss16, ss17. Separately, we would like to draw your attention to high-quality and detailed hinting, which is designed to help the typeface work well in a small size and even on small screens.

Fractul is a geometric sans serif with architectural qualities. Built from the Konnect family—which features geometric forms, classical proportions, a large x-height, and closed apertures—this typeface introduces even more unique and display oriented design details. You'll see this most evidenced in characters like a, f, g, t, y, etc. where certain strokes have been straightened for an angular and modern appearance. Also included is Fractul Alt. This alternate type family furthers the angular design by styling characters like m, n, u, etc. to be rectangular. With this family employed, the typographic voice becomes a little more distinct or avant-garde. Easily switch between these two families to see what works best for the design. Fractul has many OpenType features: - Multiple stylistic alternates (6 stylistic sets) - Standard and discretionary ligatures - Case-sensitive punctuation for All Caps - Fractions, numerators, denominators - Superscript, subscript - Slashed zero With over 600 glyphs, this font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European.

Neo Afrique sans a neo-futuristic typeface with a modern decorative twist. This typeface design came out of further development and refinement on an original typeface that i created some time ago, Durango Sans. True in nature to it's predecessor, Neo Afrique was also born out of this desire to fuse two different aesthetics, the geometric Neo-Futuristic aesthetic, fused with flourishing decorative forms from Art Nouveau and the later Lubalinesque aesthetics. This typeface will form part of a larger body of work that is meant to be an exploration of Afrikan neo-futurism, using the immense power of visual-linguistic narratives to catalyze new cultural movement and perception.

Config Condensed is a modern and structured condensed sans serif type family consisting of 20 fonts in 10 weights plus italics. The neutral design of this typeface with subtle details makes it functional for type setting in small and large sizes, and the condensed proportions are efficient and space-saving. The overall simple and clean appearance allows it to be useful for many applications: layouts, web, branding, apps, etc. With 10 weights, there are multiple options to fit the need—black and thin for extreme uses and intermediates for more common needs. The clean nature allows it to be readable at small sizes, but the touch of character—as seen in the notched joints (like the n and u), rounded details (like the l and t), and horizontal/vertical terminals (like the a and e)—make it interesting at large, display sizes. Config Condensed is part of the larger Config family, offering a more narrow width option for your typography. Config Condensed includes lots of OpenType features, as well as symbols: • Multiple stylistic alternates (8 stylistic sets) • Standard and discretionary ligatures • Case-sensitive punctuation for All Caps • Tabular figures • Fractions, numerators, denominators • Superscript, subscript • Slashed zero • Arrows, circled numbers, geometric shapes With over 600 glyphs, this font has extensive Latin language support (100+ Latin languages) for Western, Central, and South Eastern European.