Cleopatra Lebedeva

In this font from graphic arts veteran Tracy Sabin, his trademark whimsy and playfulness are exhibited in spades. Sabin takes a multitude of influences, from mid-century art nouveau to today’s pleasant dream-pop doodles, and mixes them up into a sweet and animated alphabet that oozes energy, enthusiasm and honest innocence.

Alongside the chromatic and colour-play possibilities that come with two layerable fonts, the jumpy, rough and curly elements that make up Schneeberger’s construct make this face a unique and essential tool for display and packaging aimed at catching the eyes of kids and teens. Use it for fantasy flicks, sugar-fix wrapping, and the elaborate backyard birthday party invite where the program is just as appealing for the adults as it is for the children.

P22 Schneeberger comes in solid (Black) and outline (Regular) variants, each of which containing more than 400 characters, some very cool built-in stylistic alternates, a bunch of ligatures, and support for the majority of Latin languages.

A modern Sans Serif — prosaic, designed geometrically, beautiful in large sizes

All the dimensions of the font are based on Factor 10. The general principle of construction leads to slim forms and nearly equally wide characters. So the font appears very solid but is actually difficult to decipher in longer texts.

Along with the ”normal“ Guhly Regular there are also the two versions Guhly Light and Guhly Bold, whereas in each only the vertical strokes [Guhly Light] or horizontal [Guhly Bold] have been changed in strength. The result is a very individual decorative effect which slightly reflects old circus and western scripts.

The lower case characters in the version Guhly Book are, therefore, optimized to be suitable for longer texts in smaller font sizes — because after all, sometimes you should read a bit more than just the headline…

The design of a shampoo bottle stands behind the creation of this sans serif display font. Prominent, clearly constructed forms with circular arcs define its appearance. This is a font primarily designed for use with capital letters — for all sorts of advertising purposes, headlines and titles.

But lower case letters also belong to a good functional font; so, of course, Guhly includes them and ligatures for the more ”critical“ letter combinations as well as stylistic alternates for the letters K (or k), V (v) and o.

As a decorative “encore”, the Guhly family also contains the “normal” weight in two variants:

on the one hand the Guhly Cutout – these are letters without counter, as if the letters were cut out and the internal surfaces fell out; and on the other hand the Guhly stencil – as the name suggests, a stencil font with the typical bars that give a stencil the necessary cohesion.

Mixink Std is a serif font features amazing swashes. It has a vintage feel and look that makes it perfect for any retro and nostalgic project.

Monbloc is a typeface inspired by geometry and lines. It intends to be a practical font wich gives the designer the freedom to incorporate it in his wildest designs.

Street Power is a free style font that has the characteristics of street art that shows freedom. It is filled with unique characters.

Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligatures • Alternates

There it is! I really hope you enjoy it.

It's blobby, bouncy, and super whimsical. It's my Spring Herbs font!

I had a ton of fun with this font. With varying stroke weights, heights, and sizes, plus FOUR options for every letter, you can create a fun design with hand-lettered flair!

Spring Herbs contains over 600 total glyphs, including more than 300 extended Latin characters for language support, over 30 ligatures, and alternates for A-Z, a-z, and 0-9! It's extensively cleaned to be smooth and sharp for both cutting and printing.

To make things even easier for my MyFonts friends, the alternates are all PUA-encoded for easy access in any program, and are also OpenType coded as Stylistic Alternates, if that's how your software rolls!

Baver Brush is a textured brush font, a contemporary approach to design, naturally handmade. It also has alternatives and ligatures that make your design more attractive. Suitable for use in title design such as clothing, invitations, book tittles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Roanne is a sans serif family named after a town in France. This font family contains 2 width variations: Normal and Condensed, and all together counts 44 font styles. Equipped with OpenType features (Tabular Figures, Fractions, Stylistic Alternates, Localization for Serbia, Poland and the Netherlands, Case Sensitive brackets) for extended Latin and Cyrillic character set with a small charming set of Dingbats.

For easier usage as webfont, Roanne font files contain numeric values for CSS weight attribute – 100, 150, 200, 300, 400, 500, 600, 700, 800, 850, 900.

Leronda is an awesome font that can look austere and classic or vintage and softer and more pliable thanks to alternatives. They will add charisma, diversity to your project and emphasize your brave decision. 

Also lowercase ligatures are included in this font, use them and it will also show your personality. This font is quite heavy weight and is perfect for creating logos, headlines, advertising, branding, book covers and magazines, and much more. Use it in headings and text to highlight important information.

This font is easy to use and has OpenType features.

Senja Mentari is elegant modern calligraphy font inspired by delicate inky hand lettering, gorgeous wedding calligraphy and trending minimal branding designs.

This beautiful font is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, cards and feminine branding.

I have wanted to create such combination a long time and can’t believe that it is here. I’m super excited and hope you’ll estimate it too. Now all you need for perfect wedding invitation design is in one product. I think this decision will help you to save your time!

What's included?

• More than 100 beautiful swashes in this font
• Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.
• PUA Encoded Characters - Fully accessible without additional design software.

Multilingual Support :

à á â ã ä å æ ç è é ê ë ì í î ï ñ ò ó ô õ ö ø ù ú û ü ý ÿ š fl fi ž œ ı ç ø š ž æ œ À Á Â Ã Ä Å Æ È É Ê Ë Ì Í Î Ï Ñ Ò Ó Ô Õ Ö Ø Œ Ù Ú Û Ü Ý Ÿ Š Š ŽŁ Ð Ç

At Tupats is inspired by the name of a common food from Indonesia during Eid: ketupatfood. This font is in the Arabic style but for writing latin characters and words.

The ligatures, stylistic sets, and contextual features of this font will make your writing similar to Arabic calligraphy.

It is very suitable for writing in a Middle Eastern style and for use in restaurants, magazines, souvenirs, web, and many Ramadhan-themed projects.

Originally created in 2014 but redesigned and improved in 2020, Remah Pro is an eclectic and versatile sans serif font family consisting of 5 weights, from extra light to extra bold with its respective condensed. When looking for something different, Remah Pro is certainly the best choice: the wavy shapes that defines it are intertwined with clean cuts and sharp edges, making it suitable for typographic experimentation and ideal for display work, logo design, posters and billboards.

Mallorist is a handwritten font with a modern calligraphy style. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, logotypes, letters, posters, apparel designs, labels, and etc. Mallorist comes with uppercase, lowercase, numerals, punctuation & multilingual support characters.

A professional quality grotesque from light to black.

— Variable Font —

Eurotypo SII is a sibling of our Eurotypo Sans family and is composed of two Expanded weights and six Condensed styles.

Each font of Eurotypo SII contain 359 glyphs and advanced typographical support with OpenType features such as ligatures, discretional ligatures and case-sensitive forms. It also contain diacritics for Central European languages.

All aspect of readability and accurate kerning were carefully controlled.

Eksperiment is danish for experiment. Without much guessing or knowledge to danish, you probably already knew that! I like those danish words containing a "k" - is it because my name is spelled with a "k"? I don't know - maybe it's because it kind of represents the danish language, which is full of words with "k"s.

Anyway, the reason for the name is that I wanted a font looking like it had gone through tough times, a bad copy machine and perhaps even crumpled paper...but the experiment is that the font is 100% made using digital media. I used my MacBook and my iPad creating this font. I find it quite amusing, that something 100% digital looks like something organic.

I've added 5 different versions of each letter, which is really helpful when working with grunge fonts. It looks more natural, when the same letter rarely repeats itself.

Micheliya has a font script that is provided with great tenderness to be presented with a variety of stunning character models.

Micheliya combines a new design that features free, warm, modern features. taste.

The diversity of weights provides a variety of choices that will help you find the best design colors for your project. Lighter weights are perfect for heavier body text ideal for high impact headers. Alternative styles available provide different characters that give your logo or business card a unique display.

The font was created under the influence of German tabular inscriptions. Especially, DIN font influenced on Nomenclatur graphic. It adds clarity and conciseness in the font. Nomenclatur is intended for use in architectural and design topics. It is also intended for a set of instructions and manuals. The font has the aesthetics of the Bauhaus and other constructivist movements. Characters of font are designed with high intelligibility, which makes it well readable in a small size. The lowercase letter "l" has a tail, so as not to confuse it with the capital letter "I", which has serifs. 

It avoids confusion in words like "Illinois". The font is well suited for the design of signs and navigation texts. A wide selection of styles allows you to design complex typography.

The font family includes 15 styles.

The font family has a variable font with two axes of weight and width.

The font contains a set of alternative characters that will allow you to create different moods.

The font contains Western European Latin and standard Cyrillic.

The font has more than 3,600 kerning pairs configured.

The font contains beautiful ampersand.

Sportune is made to support the work of designers who are used to making works with a sporty style. This font is great for various design styles, modern or old school.

Claire is a family of fonts with sturdy serifs. Several of the weights in the family are optimal for setting large amounts of running texts; the extreme light and heavy fonts, on the other hand, work great together in display applications. The letterforms in Clair have a vertical axis, and their design is reminiscent of contemporary newspaper fonts, as well as late-nineteenth century typefaces along the Century model. Claire includes 12 styles ranging in weight from Thin to Black. Each of those six weights has a companion italic font, too. Claire’s letterforms feature thick slab-like serifs that are bracketed onto their stems. Since the proportions of its uppercase letters are nineteenth-century, they optically feel like they are all almost the same width. The same is true for the numerals, which share the same height as the capitals. The numerals include nice, decorative features, such as flag-like strokes on the bottom of the ‘2’ and the top of the ‘7’. The ascenders of Claire’s lowercase letters rise slightly above the tops of the uppercase letters and numerals. Claire}s x-height is also rather tall. The lowercase ‘g’ in the upright fonts, which is double-storey, has a lovely ear that ascends above the x-height. In the italic fonts, both the ‘a’ and the ‘g’ are single-storey. The italic letterforms also feature especially-prominent ball terminals.

The BD Micron Robots variable dingbats font features 52 Microns – micro-tiny robot characters with 5 mutations. The variable font technology helped breathing live into the BD Micron Robots See them in action.

The Muta1 version of the font shows the Micron Robots in its original shape. Muta5 is the final stage of the Micron Robots mutations. The Variable version of the Micron Robots font is a variable font and you can determine the grade of the mutation between Muta1 and Muta5 by yourself.

By the way: The BD Micron Robots perfectly fit together with the BD Micron Font, also available here at MyFonts.