Cleopatra Lebedeva

The font was created under the influence of German tabular inscriptions. Especially, DIN font influenced on Nomenclatur graphic. It adds clarity and conciseness in the font. Nomenclatur is intended for use in architectural and design topics. It is also intended for a set of instructions and manuals. The font has the aesthetics of the Bauhaus and other constructivist movements. Characters of font are designed with high intelligibility, which makes it well readable in a small size. The lowercase letter "l" has a tail, so as not to confuse it with the capital letter "I", which has serifs. 

It avoids confusion in words like "Illinois". The font is well suited for the design of signs and navigation texts. A wide selection of styles allows you to design complex typography.

The font family includes 15 styles.

The font family has a variable font with two axes of weight and width.

The font contains a set of alternative characters that will allow you to create different moods.

The font contains Western European Latin and standard Cyrillic.

The font has more than 3,600 kerning pairs configured.

The font contains beautiful ampersand.

Sportune is made to support the work of designers who are used to making works with a sporty style. This font is great for various design styles, modern or old school.

Claire is a family of fonts with sturdy serifs. Several of the weights in the family are optimal for setting large amounts of running texts; the extreme light and heavy fonts, on the other hand, work great together in display applications. The letterforms in Clair have a vertical axis, and their design is reminiscent of contemporary newspaper fonts, as well as late-nineteenth century typefaces along the Century model. Claire includes 12 styles ranging in weight from Thin to Black. Each of those six weights has a companion italic font, too. Claire’s letterforms feature thick slab-like serifs that are bracketed onto their stems. Since the proportions of its uppercase letters are nineteenth-century, they optically feel like they are all almost the same width. The same is true for the numerals, which share the same height as the capitals. The numerals include nice, decorative features, such as flag-like strokes on the bottom of the ‘2’ and the top of the ‘7’. The ascenders of Claire’s lowercase letters rise slightly above the tops of the uppercase letters and numerals. Claire}s x-height is also rather tall. The lowercase ‘g’ in the upright fonts, which is double-storey, has a lovely ear that ascends above the x-height. In the italic fonts, both the ‘a’ and the ‘g’ are single-storey. The italic letterforms also feature especially-prominent ball terminals.

The BD Micron Robots variable dingbats font features 52 Microns – micro-tiny robot characters with 5 mutations. The variable font technology helped breathing live into the BD Micron Robots See them in action.

The Muta1 version of the font shows the Micron Robots in its original shape. Muta5 is the final stage of the Micron Robots mutations. The Variable version of the Micron Robots font is a variable font and you can determine the grade of the mutation between Muta1 and Muta5 by yourself.

By the way: The BD Micron Robots perfectly fit together with the BD Micron Font, also available here at MyFonts.

Marengo is a very simple font with strong expression and very uniform rhythm. It is a condensed, display typeface, but due to its good readability, it can be used for setting headlines and even short informational texts. Marengo can also be used in posters, packaging, labels and advertising materials.

Holystone is a natural hand writing script typeface. Very suitable to be used as a headline, instagram post and stories, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

• uppercase & lowercase
• numbers and punctuation
• multilingual
• ligatures
• alternates
• swashes
• PUA encoded

We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at letterhend@gmail.com

Habenera's design is based on the idea of taking perfectionist geometric shapes and making them funky! With gentle tweaks here and there, the glyphs are deliberately designed to look more humane and fun. Same fonts are also presented with round corners, giving it an even more gentle look.

Latin poster design and graphic art was an inspiration to design Habanera, so it has Latin vibes all around it. The end result is a clean legible text font that can also work nicely as a display font for big, fun headlines. It has 7 weights with true italics in each normal and rounded set, also there are extra fonts with outlines, shadow and 3D styles to get even more funky. From designs for children to packaging, posters, mobile apps and games, it's perfectly suitable for any design wherever you need to brighten the mood.