Cleopatra Lebedeva

Jartafisa is a strong and playful script inspired by the natural beauty of flowers. Fall in love with its organic charm, and take any spring craft to the next level!

Outbreak is a bold, handwritten script. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others and will provide dynamic and pleasing proximity. This font is perfect for branding and any awesome projects, such as: logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events and much more!

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Subectype Studio

Magic Script is a modern calligraphy font with a current handwriting style. This font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try first if you want to buy this font.

To access the alternates you need a program that supports OpenType features such as Adobe Photoshop Cs/Adobe Photoshop CC, Adobe Illustrator CS/Adobe Illustrator CC, Adobe Indesign and Corel Draw and other programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows)

If you have any question, don't hesitate to contact me by email hello.mrletters@gmail.com Thanks and happy designing.

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Mono Spec is a monospace displays have an aesthetic and industrial style, The Stencil version bringing a spirit of resistance and street culture.

Mono spec is equipped with opentype features, "Mono Spec Variable : access the variable for thickness and adjust the distance of the stencil freely", also complete with Fraction and alternate characters.

Mono Spec is available in 5 weights plus Stencil version with multilingual support to Basic Latin, Western European, South Eastern European, Turkish, and Central European.

This is a modern, ultra-thick Bodoni font with a lot of swashes.

In this font from graphic arts veteran Tracy Sabin, his trademark whimsy and playfulness are exhibited in spades. Sabin takes a multitude of influences, from mid-century art nouveau to today’s pleasant dream-pop doodles, and mixes them up into a sweet and animated alphabet that oozes energy, enthusiasm and honest innocence.

Alongside the chromatic and colour-play possibilities that come with two layerable fonts, the jumpy, rough and curly elements that make up Schneeberger’s construct make this face a unique and essential tool for display and packaging aimed at catching the eyes of kids and teens. Use it for fantasy flicks, sugar-fix wrapping, and the elaborate backyard birthday party invite where the program is just as appealing for the adults as it is for the children.

P22 Schneeberger comes in solid (Black) and outline (Regular) variants, each of which containing more than 400 characters, some very cool built-in stylistic alternates, a bunch of ligatures, and support for the majority of Latin languages.

A modern Sans Serif — prosaic, designed geometrically, beautiful in large sizes

All the dimensions of the font are based on Factor 10. The general principle of construction leads to slim forms and nearly equally wide characters. So the font appears very solid but is actually difficult to decipher in longer texts.

Along with the ”normal“ Guhly Regular there are also the two versions Guhly Light and Guhly Bold, whereas in each only the vertical strokes [Guhly Light] or horizontal [Guhly Bold] have been changed in strength. The result is a very individual decorative effect which slightly reflects old circus and western scripts.

The lower case characters in the version Guhly Book are, therefore, optimized to be suitable for longer texts in smaller font sizes — because after all, sometimes you should read a bit more than just the headline…

The design of a shampoo bottle stands behind the creation of this sans serif display font. Prominent, clearly constructed forms with circular arcs define its appearance. This is a font primarily designed for use with capital letters — for all sorts of advertising purposes, headlines and titles.

But lower case letters also belong to a good functional font; so, of course, Guhly includes them and ligatures for the more ”critical“ letter combinations as well as stylistic alternates for the letters K (or k), V (v) and o.

As a decorative “encore”, the Guhly family also contains the “normal” weight in two variants:

on the one hand the Guhly Cutout – these are letters without counter, as if the letters were cut out and the internal surfaces fell out; and on the other hand the Guhly stencil – as the name suggests, a stencil font with the typical bars that give a stencil the necessary cohesion.