Cleopatra Lebedeva

Aventa is an exciting geometric typeface with contemporary touches. It’s born from strong elementary shapes, with clean circles interwoven with modern cuts and sharp edges.

It has distinctive voice, retaining the simplicity and elegance of classic geometric typefaces with a fresh, stylish rework.

Its bold in personality and fills the space without shouting, appearing refined and confident. It’s high X-height and strong capitals sustain a large amount of visibility across all weights, and have been optically corrected for even better legibility.

It has been designed as a variable font to give lots of options and access to unique type looks; however it also includes nine weights to give just as much access to creativity to those without access to variable supporting software. Aventa's matching italics sloped at a lively 8º help give it a full range of expressions.

Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design.

Each font contains just under 400 glyphs with full Western, Central and Eastern European language support.

The upper-case letters of Lentzers fit into the shape of a convex lens and the lower-case letters fit into the shape of a concave lens. The typeface was designed to have concave shapes alternate with convex shapes so the letters snuggle together. The OpenType contextual alternatives (calt) feature will automatically make this happen if your word processor supports it. (To get only concave or convex shapes, one must turn off the contextual alternatives feature. With only concave shapes the spaces between letters form thin convex lenses and with only convex shapes the spaces between letters form thin concave lenses. The name of the family was inspired by these lens shapes and also by the name of distant ancestors.)

Lentzers is caps only. It comes in three weights: light, regular, and bold. It is eye-catching for posters and titles and poorly suited for text.

Quicken was inspired by the spirit of the past, when manual labor was common, and technology was just beginning to develop. Retro style and combination with Hand Lettering style, specially for traditional typography lovers and anyone who want to add natural handmade feeling in its brand identity. It comes with Lovely clean versions that expands its possibilities in use.

Quicken is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. I've designed some examples, so you can see how it can be used.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

There are additional ways to access alternates, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Tanker is a single-weight, uppercase-only, condensed sans serif. The ‘caps’ saved onto the font’s lowercase keys are of a different design that those you’ll get when you press the uppercase keys. So the font has two different versions of each letter for users to choose from, really. The ‘lowercase’ caps have more-traditional sans serif forms, while the ‘uppercase’ caps appear more experimental and dynamic. Like the letters, the font also has two sets of numbers. The second, alternate set of numbers is available via an OpenType Stylistic Set. All of the corners on Tanker’s characters are rounded off. This gives them a soft feeling, despite the weight of the characters themselves being somewhat heavy. Tanker is designed by Ruosi Huang.

Neilvard is inspired by vintage labels and old school illustrations. Carefully created with high consideration of the versatility and classic feel. There are 4 fonts with different letterforms that gives a great combination with 2 major font and 2 secondary fonts as the sub-headline text. Also, completed with extra rough illustrations to boost your design projects. 

Neilvard font set is perfect for labels, posters, typographic design, packaging, sign painting, vintage logo, packaging, and apparel design. These fonts are basically created to be combined with other graphic elements such as illustrations, badges or icons.

PS: These are All-caps fonts, that suitable for display needs, with uppercase, numbers, symbols, and accents.

Hope you enjoy this good stuff, as much as I excited create them.

London Bridge is a Modern Sans Serif with a clean and geometric touch. It comes in 7 weights. Each weight includes extended language support, fractions, ordinal, superscript, and more than 30 ligatures. Designed with powerful OpenType features in mind it perfectly suited for graphic design and any display use.

London Bridge is a fine balance of functionality and contemporary characteristics.

Roderick Is a retro style monoline font that you can use for logos, branding names, posters, podcasts and so on. This is perfect for you all.

It features Uppercase and Lowercase, Numbers and Punctuation, Multi-lingual support, Ligatures, Alternates.

There it is!

I really hope you enjoy it